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Daft Punk have never shied away from "uncool" influences or sentimentality, and both are on full display throughout Random Access Memories.
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A particularly brilliant example is "Touch," where singer/songwriter Paul Williams conflates his work in Phantom of the Paradise and The Muppet Movie in the song's mystique, charm, and unabashed emotions. "Memories" is the album's keyword: As Daft Punk celebrate the late '70s and early '80s with deluxe homages like "Give Life Back to Music" - one of several terrific showcases for Rodgers - and the spot-on soft rock of the Todd Edwards collaboration "Fragments of Time," they tap into the wonder and excitement in that era's music.

And of course, Pharrell Williams is the avatar of their dancefloor mastery on the sweaty disco of "Lose Yourself to Dance" and "Get Lucky," which is so suave that it couldn't help but be an instant classic, albeit a somewhat nostalgic one. Here, they place themselves on equal footing with disco masterminds Nile Rodgers and Giorgio Moroder, who shares his thoughts on making music with wild guitar and synth solos trailing behind him on one of RAM's definitive moments, "Giorgio by Moroder." Elsewhere, Daft Punk celebrate their close relationship with indie music on the lovely "Doin' It Right," which makes the most of Panda Bear's boyish vocals, and on the Julian Casablancas cameo "Instant Crush," which is only slightly more electronic than the Strokes' Comedown Machine. On Homework's "Teachers," they reverently name-checked a massive list of musicians and producers. Instead, Daft Punk separate themselves from most contemporary electronic music and how it's made, enlisting some of their biggest influences to help them get the sounds they needed without samples. The album isn't much like 2010s EDM, either. But when the album finally arrived, that hugely hyped single was buried far down its track list, emphasizing that most of these songs are very much not like "Get Lucky" - or a lot of the pair's previous music, at least on the surface. The Tron: Legacy score indulged the duo's sci-fi fantasies but didn't offer much in the way of catchy songs, so when Random Access Memories' extensive publicity campaign featured tantalizing clips of a new single, "Get Lucky," their fan base exploded. Definitely not an album that should be missed by anybody.When Daft Punk announced they were releasing a new album eight years after 2005's Human After All, fans were starved for new material. Whilst definitely not the best track on the album, it's certainly one that grows on you, especially when it hits that magnificent 3:20 mark. From the reviews and opinions I've gathered so far, the album's biggest point of contention seems to be 'Touch' the collaboration with Paul Williams. By selectively choosing artists and musicians that they look up to and admire, Daft Punk have managed to easily intertwine their inimitable electronic class with the likes of Nile Rodgers' incredibly catchy guitars, Todd Edwards' smooth cut-ups and Panda Bear's confident indie feel.
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Despite having few collaborations prior to this record, Daft Punk clearly know how to get the best out of their new recruits. Despite Daft Punk's robotic visage, every song on the album feels incredibly heartfelt, from the love letter to the Synthesizer that is Giorgio by Moroder, to the laid back and hypnotic Fragments of Time. Despite Daft Punk's robotic visage, every song on the album feels incredibly Random Access Memories is in the simplest of terms a triumph.

Random Access Memories is in the simplest of terms a triumph.
